Person painting or screwing a wall with a sander or paint remover, standing on the ground, facing the wall.
Person painting or screwing a wall with a sander or paint remover, standing on the ground, facing the wall.

Rylie Jobe is an artist living and working in Los Angeles.

She came to abstraction through realist painting, where the interest was never in detail so much as in a kind of photographic softness. Her paintings are made without visible gesture or brushwork, built in layers of acrylic, often finished in poured resin. The surfaces owe more to aluminum, plastic, and polycarbonate than to canvas: hard, cool, and manufactured-looking, though made entirely by hand. The work is meant to sit closer to an object than a picture.

From across a room the work reads as a field. Up close something surfaces, and never fully arrives.

An image on a screen gives itself up in a second and is gone as fast. A painting is slow, physical, and partly withheld, so the only way to get anything from it is to stay with it. What comes back is closer to how memory behaves than how a photograph behaves. Something was recorded, it is still in there, and it cannot quite be retrieved. The surface shifts with light and viewing angle, so it never resolves the same way twice.

Selected Exhibitions

2022 Art Bar, Los Angeles, CA

2021 Artopia, Phoenix, AZ

2020 Artopia, Chicago,IL

Selected Commissions

2026 Speeed, Los Angeles, CA

2025 Elia Parfum, Newport Beach, CA

2023 Reef Headquarters, Carlsbad, CA

2023 Donut Media, Los Angeles, CA

Collections

Private collections, United States and Canada

Contact

Mail contact@ryliejobe.com
IG @ryliejobe

Inquiries about available work and commissions welcome.